Always a Bridge to Connect the Gap – Part 2

During that first session with Dee, a multitude of messages came through, many of them unique to my situation and virtually all of them accurate. Some of the insights, however, unbounded by time, only later came to pass. In rapid fire, she reported images laden with meaning to me. Out of the blue, she asked “You drink soda, don’t you? You know, soda or pop?” “I guess so,” I replied, uncertain what she was getting at, “Why?” “Yeah, cause he’s showing me that. He said he was very thirsty at the end. Did you know this?”

Suddenly, I got it. She was referring to the Gatorade that was Scott’s beverage of choice. His last act, prior to dying, had been to pull himself up with great effort to the tray table I had set up by the bed to reach for the glass of Gatorade there. Just as his hand had grasped the glass his entire body had suddenly tremored, spilling the liquid all over himself. He had fallen flat backwards into bed, his head landing on a pillow, mouth open and eyes staring, and stopped breathing. That was when I started panicking.

Dee continued “I see he was thirsty. He wanted to, you know, drench himself. He says he was very warm. He says his thoughts were running rampart.” “Running what?,” I asked, and Dee impatiently spelled the word for me, “r-a-m-p-a-r-t.” “Hmm,” I thought, “maybe the word is his and not hers.” “He knew you were there,” she continued, “but somebody was there holding his hand. The hand I see was never a human hand. It’s an angelic hand. He was not alone. He’s saying that even when you went off that morning you didn’t leave him alone. He was never alone.”

Later, when Dee asked “Who is Anne?,” I answered “my mother.” My parents had been there for me throughout the ordeal of Scott’s illness, and after he died I had left his body to be held in their arms while I cried. A couple of years earlier, Scott and I had been forced to cancel a long-awaited weekend trip to Key West after he began coughing up blood in the early morning hours that Friday. I had called his doctor at home and made arrangements to check him into the hospital, and driven him there through the deserted predawn streets. As we watched the pale sunrise together from his hospital room window, both of us frightened and exhausted, I said quietly “Honey, we’ve got to hang on to life loosely.” Later, in his journal, I saw that he had written down the words.

That Friday morning, before being able to sleep, I had had to drive to yet another hospital, many miles south, to keep an appointment to have a will signed by one of my clients dying of AIDS-related lymphoma. He was in pain and disfigured by the ravages of disease, but had the grace to ask how Scott was doing, to ask if I was all right. Meanwhile, his life partner, who had been in our office only months before for estate planning, causing a sensation with his beauty and his gentle, sure manner, lay in the same hospital two doors down, also dying. No one was sure which would go first.

I finally got back home and called my mother, having no idea what I wanted to say. Words started pouring out of me. “We had to cancel our trip to Key West, and Scott’s in the hospital, and I just had to go do this will and this guy and his lover are both in the hospital dying, a couple doors from each other. This damn disease. I just…” I broke down crying. I had been pushed beyond my limit. It was all too much. My mother, sharing my pain, spoke soft words of comfort, knowing that there were no easy answers.

“I know, darling. I know.” She was just there for me as I cried, feeling as if I would never stop. Finally, she said “Darling, now get some rest and when you wake up why don’t you come by for some ice tea and a sandwich.” And I did, lost in darkness, and we had talked. She had been through it with me.

i-love_my_momma

My Mom, Anne Howe O’Quinn Crockett

A woman whose loving nature had found expression in her Christianity, she had come to terms beautifully with the fact of her gay son, and later my HIV-positivity. Just days before, I had discussed with her my feelings that Scott’s love was still present. To her, the idea was the most natural one in the world. Is not the essential message of Christianity that death is not what it seems to be, and its core commandment an imperative to love beyond reason? She too had felt his presence, she told me. In fact, she had found herself having a conversation with him, “thinking to him” as she put it, before going to sleep just the night before.

Now, Dee was saying, “He said to give her his love.” Laughing at some private message, she asked “Does she believe in the after-life like that [as in communicating with the departed]? Cause I think he visits your mother. He does. He goes to see her.”
Wow, I was thinking, this guy is busy! Little did I know.

Finally, Dee wound up the session by offering a breathtaking new perspective on the relationship Scott and I had shared, and its future promise. “See, I believe that you two have really grown together. That’s why…that feeling of wanting to be with him [as in suicide], it can’t be. That would separate you if you did that. You can’t do that. But when the proper time comes, you’ll be with him, you see, then you start all over again. It’s beautiful.” I thought Dee was talking about reincarnation, but wasn’t sure. As I requested clarification, she responded. “Yeah, I believe in the last life you both lived you were the teacher. In this one, he was. That’s where you’ve grown together. There’s always one ahead of the other.”

“Yeah, he was the teacher in this life,” she said, “but in each lifetime, the two of you have left a legacy. Which is beautiful. There is a bond between you. Each life that you weave together is better than the last, although you forget…you forget, along life’s path. In other words, you two better yourselves. You better each other.”

“But he’s left plenty to keep you busy,” she said. “She’s got that right,” I thought to myself, thinking of the various creative endeavors we had begun together and which now awaited me. “He doesn’t want to see you dragging your feet, pining away to be with him. He says he’s left you the music, his writing, his poetry, the play, everything that’s built up around you, and there’s more than enough there to keep you busy.”

To  Chapter 13

Seeking Refuge in Color

Carrer Verdi (Barcelona) 1993     P. Crockett

I still see paintings in your eyes
where love blooms bold and beautiful.
The vistas of your work break out in rich luscious color
like Jacob’s

Scott, 1992    Journal Entry

As time passed I sensed the power of the path opening up before me, but also knew that my old life and many of its guiding assumptions had come to an abrupt and final end.  Assuming I’m meant to still be here, I thought to myself, where am I supposed to go, and how am I to spend the many slow hours in each day?  Suffering seemed real enough, but in most other respects I was simply going through the motions day after day, step by tentative step.  Deep in my heart I felt the importance of acting as if life mattered, carrying on in the ways closest and most important to my heart.  I was still here for a reason, and was not to waste my time.  And so I survived by seeking the support of the friends who loved me and diving into my painting.

Key West Lighthouse 1990    The first painting undertaken with knowledge that the virus coursed through my bloodstream.

I had begun painting seriously following my HIV diagnosis in 1990, and found a freedom in the solitude of my artistic process that eluded me elsewhere.  Often with Scott by my side, I would pack up my paints, carrying my tape player with me, and seek out the beaches, mangrove swamps, tropical hammocks, and other rare and sacred places in South Florida not yet laid low by the hand of man.  Painting was sometimes a struggle, and the anxiety of the blank canvas with me often, but there were times, blessed moments, when the colors were splashing on just right and I was really getting it.  Lost in a process having little to do with the conscious mind, I was capturing nature’s beauty and in the process seeing it as for the first time.  Such peak moments refreshed my soul and carried me far.

Ibiza    1993   A World Suddenly on Fire, Everywhere I Turned

The Wednesday before, only days after Scott’s passing and my heart heavy with sadness, I had headed out with my paints as a leap of faith.  Sitting outside listening to the tape Scott had made for me, splashing paint on the canvas as tears ran down my face, I captured in intense swirling color a wall overflowing with lurid bougainvillea, a tropical sky in motion above.  On the bottom right of the painting I painted in light blue, lavender, golden yellow, and magenta the words My Dear Scott I will always love you.  “This one’s for you, baby,” I thought as I completely broke down and cried there on the street.  “They always will be.”

Love Never Dies 1996    P. Crockett

From the very beginning, I felt a need in the deepest part of me to honor and celebrate this man, and the mystery of our love.  It was during times of such remembrance, it seemed, that the clouds parted somewhat and I felt most alive.  In the month of May, I dedicated myself to the project of preparing in Scott’s honor a quilt panel to become part of the Names Project in San Francisco, California.  I had heard that a showing of the complete quilt, perhaps the last one possible as a result of its monstrous hugeness and constant growth, was scheduled to be held on the Mall in Washington, DC the following October.  I felt it important that Scott’s panel be a part of it, and read that a deadline of June 1 had been imposed in order to guarantee inclusion in the display.

Scott and I had been stunned by the quilt’s visit to Miami Beach a couple of years before, and he had volunteered as an assistant during that exhibit.  Each six by three foot panel eloquently documented the pain of yet another soul lost, and the overall effect was staggering.  To me, as majestic the project and joyful some of the panels, the exhibit as a whole cried out of an anguish beyond measure or depth.  My sadness turning to rage as I’d been brought to tears by one panel after another, finally finding myself only numb, my mind raced with painful questions.  Why had not Reagan even spoken the word during the first several years of the epidemic, turning a blind eye as all these good people suffered and died?  How could that precious window of opportunity to save lives have been lost?  And how long would we all be paying the price?

I had no idea what form Scott’s panel was to take, but I knew that it had to be beautiful and had to express our love.  In struggling to find a concept suitable for this enormous task, I came across a copy of the invitation I had painted just weeks before to a party planned in celebration of our sixth anniversary.  It was to have taken place on Saturday, March 9, and we were to have flown out the following afternoon for a pilgrimage to Mississippi, where Scott had planned a long-awaited reunion with the college friends he dearly loved.  Our plans were changed by Scott’s death on the morning of March 1.


When I’d shown Scott my first sketch for the card, he’d smiled with pleasure.  He had one reservation, however.  As he studied the colorful image, he’d said “It’s great!  I love it.  But do you really think we should include that hospital panel on a party invitation?”  Returning his questioning look, I told him “Yeah, I thought about that.  But I really do.”  Pausing a moment, I said “Honey, think about it.  It’s a big part of our experience.  How can we leave it out?”  “O.K.,” he’d agreed, “Let’s go for it!”  On the bottom of the card, underneath the images, I exuberantly scrawled the words SIX YEARS  TOGETHER!  In the face of Scott’s illness, we had known deeply and fully that each new anniversary was a real cause for celebration.  But this one was not to be.

As I undertook the project of the quilt panel, I became fully engrossed in priming and then painting the large canvas panel, acquiring the materials, sketching out the drawing and the panel’s composition, and marking out the spaces for the text.  On the top of the panel, following his name, I planned to paint the dates of his birth and death.  First, I painted in light blue the day of his birth, Sept. 27, 1959.  Then, as I began to outline for painting the date of his death just below, I broke down.  March 1, 1996 was just a date, simply a collection of letters and numbers, yet it seemed to suddenly slap me in the face and sting me with its awful finality.  Though to others it might signify little, simply another day on the calendar, to me it drove home hard the point that Scott was now forever gone.  Since his body had been cremated according to his wishes, the canvas laid out on the floor before me was the closest I had seen to a tombstone for him.  On some level, I suppose, the creative endeavor of bringing the panel to life was healing for me, but I had to stop for a while.  Crying from my gut, I suddenly saw through the intensity of my focus on this new “project” and felt it was all meaningless.  Filled with rage and pain, I stood back for a moment and realized with horror “My God, I’m making a quilt panel for Scott!”  That was something I’d never wanted to do.  Yet here I was.
“What does this really mean?”  I thought to myself, storming off in frustration.  “What difference does a damned piece of painted cloth really make?  Is this any kind of substitute for having him here?  What was I thinking?”  After the shedding of many tears, I finally came to peace with an understanding that the quilt was just the quilt, and each of its panels just a panel.  It was what it was, nothing more nor less.

Nevertheless, I knew that this tribute was one I had to make.  Scott’s memory, and the love we had shared, had to be celebrated.

Rooftop   1990

To  Chapter 15